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A signature photo from a man who lives for his craft

BOGDAN EVCHIK

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I’ve never had any formally documented achievements in photography, and I’ve never been particularly interested in chasing recognition on paper. To me, competitions often feel like a race for approval, where the true essence of photography gets lost — a unique way of seeing the familiar.
I’ve always been drawn to finding my own path — unconventional, sometimes difficult, but truly my own.

A former hotel manager who turned his life around completely, toward a love of the beautiful.

So, I’m Bogdan, 26 years old. Seven of those years have been devoted, without regret, to what I love — and what probably brought you here.

About me

There’s no strict formula for what’s "right" in this approach — if something feels right and works, it works. Some might say it’s wrong, that there are clear rules to follow. But I’ve always believed in the idea: "learn the rules so you can break them properly."

“A breeze ran through my legs”
— Lenya, my friend, after seeing his photos

To embrace the question: "what if?"
What if a yoga instructor is actually a Spanish señorita dancing tango at sunset in a Seville garden?
What if a factory worker is an explorer of inner space, wandering through the ruins of the past?
I’ve always tried to surround myself with people who seek something beyond the ordinary. Most of my clients are exactly like that.

My approach

Perhaps the first thing I’d like to show you is my creative work. Each image was carefully developed together with a small team. A lot of preparation goes into it. Yes, this section is largely the result of collaborative work.

The search for the right image often feels like collecting. Books are the primary source, followed by cinema and the work of other photographers. Every artist reinterprets what they’ve seen and absorbed, turning it into something personal and unique along the way.
This approach resonates deeply with me.

Art photography

t’s great to have the opportunity to create, but it’s also important not to forget the timeless classics.
I’ve always been drawn to the texture of grain and black-and-white imagery. There are many directions I explore, but my main focus here is documentary work. I’m not sure how it happened, but many people appreciate the way I capture their events.
This section includes studio projects, outdoor shoots, documentary work from festivals, and behind-the-scenes moments.

Classic photography

Contacts